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Prosper Marilhat The Banks of the Nile at Damanhur oil painting


The Banks of the Nile at Damanhur
Painting ID::  39971
Prosper Marilhat
The Banks of the Nile at Damanhur
mk155 c.1843-1844 Oil on wood 31x45cm

   
   
     

Prosper Marilhat The Ruins of the El Hakim Mosque in Cairo oil painting


The Ruins of the El Hakim Mosque in Cairo
Painting ID::  39972
Prosper Marilhat
The Ruins of the El Hakim Mosque in Cairo
mk155 1840 Oil on canvas 84.5x130.7cm

   
   
     

Prosper Marilhat View of Ezbekiyah oil painting


View of Ezbekiyah
Painting ID::  62494
Prosper Marilhat
View of Ezbekiyah
1835 Engraving Biblioth?que Nationale, Paris In 1834 the young French painter, Prosper Marilhat showed a view of Ezbekiyah Square, Cairo and three other Egyptian scenes at the Paris Salon. Like many of his generation, he had felt a restless urge to travel and had joined a scientific expedition led by an Austrian baron, Karl von Hugel, to the Near East. The artist was to die, insane, aged just thirty-six, and his Cairo scene survives only in a print. Author: MARILHAT, Prosper Title: View of Ezbekiyah, Cairo Form: graphics , 1801-1850 , French , landscape

   
   
     

Prosper Marilhat Une rue de Caire oil painting


Une rue de Caire
Painting ID::  88713
Prosper Marilhat
Une rue de Caire
1840(1840) Medium Oil on canvas Dimensions 63 x 45 cm cyf

   
   
     

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     Prosper Marilhat
     French Academic Painter, 1811-1847, French painter. He painted his first landscapes and family portraits at Thiers and in the Auvergne before moving to Paris in 1829. After working as the pupil of Camille Roqueplan he was engaged by Baron Karl von H?gel for an expedition to the Near East (1831-3), from which he brought back numerous studies. He visited Greece, Syria, Lebanon and Palestine, stayed in Egypt from October 1831 to May 1833 and returned by way of Rhodes and Corfu. Cairo, the villages of the Delta and Upper Egypt proved to be sources of inspiration for later works.

     Related Artists::.
     | Fritz von Uhde | Edward John Eyre | Jose Legarda |


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